| Breaking Apart '12
| Against a Hard Surface '11
with Thoreau '09
Pairs, Expanding '09 | Fanning
Huffa Birds, Headless '08 | Air Lift, Lilt with Traffic '08 | Huffa Puffa '07 |
Prickly Pairs '07
Penduling with Pigs '07 |
'lyre with Prague Bubbles '07 |
Pairs Sounding '07
to Air '06
|| Cornish | Catacomb
Memories '98-02 |
Bird Cage '02 | Son
et Lumiere '01 |
Girls: From the Heart '00 |
|| Two Cabins:
Family Happiness '00 | Three
Awakenings '00 |
Penduling '99 | Corner
Lyre '98 |
|| Still Moving:
Four Sides of a Japanese Language School '98 |
Pool Sound and Video Installation '97 |
|| Point Defiance Sound Garden
with Water Driven Canopy Lyre '97
State History Museum Exhibit '96 |
Sight and Sound '96 |
|| Video Oh, Oh '95 | Pitching
Pennies Through Glass '94 |
|| The Trampoline
Family '94 | Photo
Speakers '94 |
Lips Admidst Too Lips '94 | Plate
Tech Tonics '94 |
|| Out to Dry
'93 | Cacaphonic
Cadenza '82 |
Video Oh, Oh
Installation of twelve monitors arranged in clusters of four (two-by-two).
Each cluster contains a color monitor (lower right), and three monochrome
monitors-- b/w (lower left), green (upper left) and amber (upper right).
Except for the color monitor which is always in the landscape position,
the monochrome monitors are positioned off axis (upside down or sideways)
and in different combinations for each cluster.
All monitors in a cluster play the same video signal-- the output from a
VCR is split four ways.
Pre-recorded sound is played back over a separate system.
Three videos run continuously over three clusters-- the simultaneities
with the other videos and the sound are by chance.
The installation creates a mix of koleidescopic and flashing
energy as the individual "percussive video"; map various
objects and terrains... and all of this with the pre-recorded
sound of my sculptural instruments.
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