Selected Installations

 

| Puppen Klinik '14

| Not Random, Just Complex '14 see press

| Breaking Apart '12

| Against a Hard Surface '11 |

| Cycling China '10 | Drumming with Thoreau '09 |

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Twisted Pairs, Expanding '09 | Fanning Rejection '08 |

| Twelve Huffa Birds, Headless '08 | Air Lift, Lilt with Traffic '08 | Huffa Puffa '07 |

| Many Prickly Pairs '07 | Fenced Penduling with Pigs '07 |

| Vertical 'lyre with Prague Bubbles '07 |

| Many Pairs Sounding '07 | Odradek Complex '06 | Surface to Air '06 |

| Uncovered States '06 | International Space Band '05 |

| The Obedient Woman (download postcard) '04 | Waves of Grain '03 |

|| Cornish | Catacomb Memories '98-02 |

||| Bipolar Bird Cage '02 | Son et Lumiere '01 |

| Three Girls: From the Heart '00 |

|| Two Cabins: Family Happiness '00 | Three Awakenings '00 |

|| Vertical Penduling '99 | Corner Lyre '98 |

|| Still Moving: Four Sides of a Japanese Language School '98 |

|| Pete's Pool Sound and Video Installation '97 |

|| Point Defiance Sound Garden with Water Driven Canopy Lyre '97 |

|| Washington State History Museum Exhibit '96 | reSite, Sight and Sound '96 |

|| Video Oh, Oh '95 | Pitching Pennies Through Glass '94 |

|| The Trampoline Family '94 | Photo Speakers '94 |

|| Too Lips Admidst Too Lips '94 | Plate Tech Tonics '94 |

|| Out to Dry '93 | Cacaphonic Cadenza '82 |

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| | | | | | | | | | | | | | | | | | | | | | Video Oh, Oh Installation of twelve monitors arranged in clusters of four (two-by-two). Each cluster contains a color monitor (lower right), and three monochrome monitors-- b/w (lower left), green (upper left) and amber (upper right). Except for the color monitor which is always in the landscape position, the monochrome monitors are positioned off axis (upside down or sideways) and in different combinations for each cluster. All monitors in a cluster play the same video signal-- the output from a VCR is split four ways. | Pre-recorded sound is played back over a separate system. Three videos run continuously over three clusters-- the simultaneities with the other videos and the sound are by chance. The installation creates a mix of koleidescopic and flashing energy as the individual "percussive video"; map various objects and terrains... and all of this with the pre-recorded sound of my sculptural instruments. | TO MAIN INDEX