Press for Dan Senn

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The Never Close, Ensemble for These Times, San Francisco Classical Voice, 
Rebecca Wishnia, January 29, 2019
Dan Senn, Asymmetry Music Magazine, March 30, 2017

Skeleton Piano Dances, Oregon ArtsWatch, October 30, 2015

McCormick Percussion Group, Between Rock & A Hard Place, Scotto, Cage, Senn, 
by Grego Edwards, Gapplegate Classical-Modern Music, Monday, January 12, 2015

Experimentelle & Intermediale Liebeserklärung, Gabak Umatic, 
Dortmund, Germany, October 2014
Echolfuxx 13, by Michael E. Karman, Asymmetry Magazine, December 2014
Pozítří začíná Echofluxx, His Voice, Prague, April 2014

Volunteer Park Conservatory (Seattle), History Link, February 4, 2014

Tune Into New Music, Herald-Dispatch, February 25, 2014

Artist Returns Home, But Keeps Moving, Watertown Daily Times, February 22, 2014

Birke Fine Arts Festival continues with guest artist Dan Senn,
Festival of New Music, Huntington News, February 20, 2014
Echolfuxx 12, by Michael E. Karman, Asymmetry Magazine, April 25, 2013

Roulette Moves Forward Amid Flourishing Arts Scene, 
ARTS + ENTERTAINMENT, February 4, 2013

POINT DEFIANCE MYSTERY SCULPTURES, by Dave R. Davison, 
Tacoma Weekly, Thursday, 1 March 2012
Opening exhibition features work of Illinois & Oregon artists, Chinook, 
Eastern Oregon University, Le Grande, OR, September 27, 2010

Cascadia Composers expand Portland's new music scene,
by Aaron Berenbach, Northwest Reverb, March 16, 2009
.
Sound and breath unite in art, by Kayla Calloway
The Clackamas Sprint, February 18, 2009 (see installation)
.
Many Kinds of Nothing, Spotlight Review - Massachusetts,
by David Raymond, Art New England, December-January, 2009
.
Rejection letters make up focus of Beaverton artist's installation, 
by Shasta Kearns Moore, The Beaverton Valley Times, October 9, 2008
.
'Nothing' is happening, Minimalist works help provoke a meditative state, 
by Cate McQuaid, Boston Globe, October 5, 2008
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Dvanáct bláznivych ptákü, by Vaclav Celik, Opava, Czech Republic, 
April 4, 2008 (see installation)
.
Thrum n' bass: Dan Senn's Air Lift, Lilt with Traffic by Tim DuRoche,
Ultra: Fashion Design Culture, Portland, Oregon, January 7, 2008

Breathing (air) into plastic: Dan Senn's sound installation in the Autzen Gallery,
by Celina Monte, Daily Vanguard, Portland, Oregon, January 10, 2008 (see installation)

Air Lift, Lilt, Asymmetry Music Magazine, Portland, Oregon, January 8, 2008
Inspired by the Ordinary by David Bates, News Register,
McMinnville, Oregon, November 15, 2007

Periferie jsou mnohdy stredy Centrum pro soucasné umení v Hornickém skanzenu
Mayrau, by Karel Zavadil, Art Servis - Téma, September 15, 2007
.
De-constructing basic art questions, by Rebecca Mayer
The Forest Grove News-Times, August 17, 2007 (see installation)

The Physical Art of Dan Senn, by Georgina Ruff, Daily Vanguard, 
Portland, Oregon, January 31, 2007 (see installation)
.
New Year, New Art, by Georgina Ruff, Daily Vanguard, 
Portland, Oregon, January 11, 2007 (see installation)

Wittener Tage Für neue Kammermusik, by Maik Hester,
OMM, Germany, May 7-9, 2003 (see installation)

Wer hört, seiht auch, Wittener Tage Für neue Kammermusik, by Gerhard Rhode, 
Neue Musikzeitung, Germany, May 7-9, 2003 (see installation)

Zones of Magnified Power: Site Specific Sound Art, by David Means,
PublicArtReview, Vol 11, #2, Spr-Sum 2000

Senn Completes Public Art Project for UWT. by Evelyn Bowen-Crawford, 
The Ledger, Tacoma, December 6, 1999

The Point Defiance Promenade: A look at Dan Senn's Sound Garden "attenuatheatre" 
and his new Canopy Lyre, by Meg Smith, Tacoma Weekly, May 1-8, '97

Sound Art: A conversation with Dan Senn, sound artist and director of Newsense Intermedium, 
by Ron Glowen, Artweek, August 1996, Volume 27, Number 8
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Cave Art: Native Wisconsinite brings techno art to an ancient cave he knew as a boy, 
by Geri Parlin, La Crosse Tribune, September 28, 1995

SoundWatch '94 International Festival, Auckland, New Zealand, at Artspace [Concert], 
April 20, 1994, Arts New Zealand, Spring '94

COCA show explores world of modern art, Random Access: An Exhibition of High Tech Art (group show), 
Center On Contemporary Art, Seattle, WA, Seattle Times, June 24, 1994, "Dan Senn created the most 
beautiful sculpture on view,  Plate Tech Tonics, a kind of electronic lyre that, again, is activated and 
performs simply by viewer proxomity." -- Matthew Kangas, Seattle (see video)