Selected Press for Dan Senn .

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Tune Into New Music, Herald-Dispatch, February 25, 2014
Artist Returns Home, But Keeps Moving, Watertown Daily Times, February 22, 2014
Birke Fine Arts Festival continues with guest artist Dan Senn,
Festival of New Music, Huntington News, February 20, 2014
Echolfuxx 12, by Michael E. Karman, Asymmetry Magazine, April 25, 2013
Cascadia Composers expand Portland's new music scene,
by Aaron Berenbach, Northwest Reverb, March 16, 2009 . Sound and breath unite in art, by Kayla Calloway The Clackamas Sprint, February 18, 2009 (see installation) . Many Kinds of Nothing, Spotlight Review - Massachusetts, by David Raymond, Art New England, December-January, 2009 . Rejection letters make up focus of Beaverton artist's installation, by Shasta Kearns Moore, The Beaverton Valley Times, October 9, 2008 . 'Nothing' is happening, Minimalist works help provoke a meditative state, by Cate McQuaid, Boston Globe, October 5, 2008 . Dvanáct bláznivych ptákü, by Vaclav Celik, Opava, Czech Republic, April 4, 2008 (see installation) . Thrum n' bass: Dan Senn's Air Lift, Lilt with Traffic by Tim DuRoche, Ultra: Fashion Design Culture, Portland, Oregon, January 7, 2008 Breathing (air) into plastic: Dan Senn's sound installation in the Autzen Gallery, by Celina Monte, Daily Vanguard, Portland, Oregon, January 10, 2008 (see installation) Air Lift, Lilt, Asymmetry Music Magazine, Portland, Oregon, January 8, 2008 Inspired by the Ordinary by David Bates, News Register, McMinnville, Oregon, November 15, 2007

Vertreiben aus dem Paradies by Heiko Ostendorf, Muenstersche Zeitung, October 15, 2007

Periferie jsou mnohdy stredy Centrum pro soucasné umení v Hornickém skanzenu Mayrau, by Karel Zavadil, Art Servis - Téma, September 15, 2007 . De-constructing basic art questions, by Rebecca Mayer The Forest Grove News-Times, August 17, 2007 (see installation)

Volunteer Park Conservatory's Over'Lyre by Dan Senn,
Champions of Sound
, May 24, 2007

The Physical Art of Dan Senn, by Georgina Ruff, Daily Vanguard, Portland, Oregon, January 31, 2007 (see installation) . New Year, New Art, by Georgina Ruff, Daily Vanguard, Portland, Oregon, January 11, 2007 (see installation)

Many Pairs Sounding, by Seth Nehil, Portland, Oregon, January 4-25, 2007
(see installation)
Wittener Tage Für neue Kammermusik, by Maik Hester, OMM, Germany, May 7-9, 2003 (see installation) Wer hört, seiht auch, Wittener Tage Für neue Kammermusik, by Gerhard Rhode, Neue Musikzeitung, Germany, May 7-9, 2003 (see installation)

Watertown native returns home to produce "The Exquisite Risk of Civil War Brass:

The 1st Brigade Band", Watertown Daily Times, Wisconsin, February 9, 2002

Why Artists Become Artists (interview), ART 101, OSU, 2002

Senn and the Art of Acoustic Sculpture, MyRoad, March 5, 2001

Outside the music 'museum,' by Jen Graves, The News Tribune, Tacoma, April 22, 2001

Between Sound and Vision, by Fred Camper, Chicago Reader, March 2, 2001

The Catacombs of Yucatan , by Hilary Robinson, Motion, 24 November 2000 (buy)

Zones of Magnified Power: Site Specific Sound Art, by David Means,
PublicArtReview, Vol 11, #2, Spr-Sum 2000

Galleries of Sound, by Jen Graves, The News Tribune, Tacoma, April 18, 2000

"Catacomb Memories" Captivates Viewers, by Kolleen Roberts, Tempe, AZ, February 1, 2000

Senn Completes Public Art Project for UWT. by Evelyn Bowen-Crawford, The Ledger, Tacoma, December 6, 1999

Visual Edge: Visual Music, by Alec Clayton, Tacoma City Paper, November 11, 1999

Incredible Risks, by Steve Koenig, LaFolia, May 13, 1999

Dan Senn in der Kästrich-Galerie, Mainzer Rheinischer Zeitung,
September 22, 1998
(see video)

Das Papier Begegnet, by Dorothee Bönsch-Hochgurtel,
Dürener Nachrichten
, September 7, 1998

Kunst aus alten und neuen Medien: Papier und Elektronik,
by Ulla Lessmann, igmedien, October 1998

Electronische Medien und Papier verbinden.
Dürener Zeitung
, September 7, 1998

Video Art of Moving Still Pictures, by Keith Raether,
The Morning News Tribune
, July 16, 1998

Sonic Circuits V, by Alison Slow Loris, TacomaCityPaper, June 4, 1998

Composed Composer, by Margaret Doty, Sightings, Autumn, 1998

National Network Spotlights Tacoma as Vital Arts Community,by Alec Clayton,
Tacoma City Paper
, August 19, 1999

Wie Wurstspiesse tonen, by Bruno F. Schneider, Kolnische Rundschau, December 4, 1997

Fooling around, by Judy Wagonfeld, TacomaCityPaper, September 18, 1997

Six Exquisites International Sound Art Festival, by Gavin Borchert,
Seattle Weekly
, August 6, 1997

Six Exquisites art festival will combine sight, sounds, by Judy Wagonfeld,
The News Tribune
, July 22, 1997

Pete's Pool Sound and Video Installation, by Paul Gottlieb,
The Enumclaw Courier-Herald,
July 9, 1997

AN INTERNATIONAL EXHIBIT OF SOUND ART, by Michele French,
Chico Enterprise/Record, Saturday, May 1997

Artist Trust Awards, by Michele French, Seattle Tiimes, June 30, 1997

The Point Defiance Promenade: A look at Dan Senn's Sound Garden "attenuatheatre" and his new Canopy Lyre, by Meg Smith, Tacoma Weekly, May 1-8, '97

endeavor: I ask you, by Ann Klefstad, News-Tribune of Duluth, October 1997

Sound Art: A conversation with Dan Senn, sound artist and director of Newsense Intermedium, by Ron Glowen, Artweek, August 1996, Volume 27, Number 8 . Cave Art: Native Wisconsinite brings techno art to an ancient cave he knew as a boy, by Geri Parlin, La Crosse Tribune, September 28, 1995

Commentary: Surprise Around Every Corner, by Tom Murphy,
THE ARGUS, October 4,1995

Cave is home to multi-media art show, by Pauline Walle, The Rochester Post-Bulletin,
October 7, 1995, Vol. 70, No. 240

Artist meshes modern technology with history, by Deb Benedett,
Winona Daily News
, October 5, 1995

Exquisite Soundings, Six Exquisite Neighborhood Sound Art Events,
Shy Anne Studio, Tacoma, REFLEX, Summer, '95

SoundWatch '94 International Festival, Auckland, New Zealand, at Artspace [Concert], April 20, 1994, Arts New Zealand, Spring '94

No Boundaries: The Art of Dan Senn, Pandemonium!, Newsense Intermedium, Tacoma, July 22, 1994

COCA show explores world of modern art, Random Access: An Exhibition of High Tech Art (group show), Center On Contemporary Art, Seattle, WA, Seattle Times, June 24, 1994, "Dan Senn created the most beautiful sculpture on view, Plate Tech Tonics, a kind of electronic lyre that, again, is activated and performs simply by viewer proxomity." -- Matthew Kangas, Seattle (see video)

Dan Senn: Music and Texts, Experimental Music Instruments, January 9, 1993

Dan Senn's Scrapercussion [Concert] A Captivating Experience,
Eindhoven Dagblad, December 2, 1990

An Evening of Drums, by Allan Kozinn, New York Times, Thursday, October 6, 1988

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