Selected Articles

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Dan Senn's Lyde Notation, Rhythm! Scene, by Jason Baker, 
Percussive Arts Society, December, 2019
The Echofluxx Media Festival: Producing Events in Europe
Proceedings, NACUSA National Conference, Georgia State University, 
Atlanta, GA, November 15, 2014
 Zones of Magnified Power: Site Specific Sound Art
(by David Means), PublicArtReview, Vol 11, #2, Spr-Sum 2000
.
Pendulum-based Instruments, Percussive Video, Sound Art, 
and the Permanence of Ephemeral Public Art, Organized Sound, 
Cambridge University Press, England, Summer '98
.
The Catacombs of Yucatan Sound and Video Installation, 
American Composers Forum Newsletter, Vol.23, No.1 '96
.
Sound Art and the International Connection, 
Cultural Resource Newsletter, Vol. 3, No. 4, Tacoma '95
.
Systems for Non-Linear Instruments and Notation,
Journal of New Music Research, September, Amsterdam, Holland '94
.
Systems for Non-Linear Instruments and Notation,
Experimental Music Instruments, 
California, two parts, Summer and Fall editions '93
.
The Raku Composition Program,
Interface, September, Amsterdam, Holland '91
.
.Music Up Close, Puchong Gallery Notes, Winter '90
.
Standard Performance Practice, Soundsculpture and 
Scrapercussion, Percussive Notes, Research Edition, Autumn '83
.
The Application of Microcomputers to Music Composition
as a Compositional and Clerical Tool, Proceedings,
1981 ICMC, North Texas State University, Denton '81

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